If you’re the type who likes a classic bio with credits, awards & name dropping — GO HERE. If you’re the type who’s into an origin story, keep scrolling.

Hi. I’m Michelle.

Writing a bio for yourself is weird, isn’t it? I hate it. I’d rather write yours. That’s a lie. I’d rather tell your story through a series of moving images.

But alas, this page isn’t about you, it’s about me. 

15 years ago I escaped Florida and moved to the city. As in the city, New York. 

At the time I didn’t realize I needed to escape. I was just hungry for something different and was in a place so low, that there was nowhere to go but up. I figured fuck it, why not try to do the thing you’ve always wanted to do – make movies. 

I arrived in NY with no job, no film school education & zero connections in the biz. I knew approximately one New Yorker. On a whim and a prayer I applied for a job in the indie film world through Craigslist and interviewed the day after I arrived. I FRIGGIN’ GOT IT.

When you know nothing, you don’t know enough to know when you’re doing something a little bit crazy. Ya know? 

Since then, I have made a whole bunch of stuff and that stuff has been critically acclaimed and even won awards. Turns out the blind ambition that comes from not knowing can be pretty powerful. 

I know as artists we’re supposed to pick a lane, but I prefer to run wild. I’d rather paint new lines than play within the ones that already exist. I’m happily all over the map. Diversity gets me excited.

And when storytelling and imagination collide in a series of moving images? Shoo. That shit gives me heart explosions. I love it.

(YOU CAN READ MY FULL BIO HERE.)

Noteworthy + Awards

ONE MILLION+ VIEWS, “My Super World” — original short film written & directed by Michelle

FINALIST & OFFICIAL SELECTION, Moment Invitational Film Festival, “Wild Woman”

WINNER, Best Feature Film, Burbank International Film Festival, “The Piano”

WINNER, Best Domestic Narrative Feature, Rome International Film Festival, “We’ve Forgotten”

WINNER, Sundance Film Festival, “NANCY”

WINNER, Sitges Film Festival (SPAIN), “NANCY”

WINNER, Grand Jury Prize, Skip City International Film Festival (JAPAN), “NANCY”

WINNER, 28th Annual Golden Rooster (CHINA), “NANCY”

WINNER, Best Narrative Feature, Woodstock Film Festival, “Growing Up Smith”

WINNER, Garden State Film Festival, “Growing Up Smith”

WINNER, CAMMFest, “Growing Up Smith”

2x NOMINEE, Film Independent Spirit Awards, “NANCY”

Me advocating for women in film whenever possible:

See more public speaking & press HERE.

FAQs

I’ve raised millions in equity for independent film. 

Produced the critically acclaimed, Sundance Award Winning independent feature film NANCY.

My directorial debut feature-length documentary, THE PIANO, won Best Feature Film at the Burbank Int’l Film Festival.

Every independent feature film I’ve produced and/or directed has been awarded BEST FEATURE FILM.

I produced Yoko Ono’s “Bad Dancer.” 

I love finding and supporting new talent. 

Have sponsored and helped multiple filmmakers get visas. 

Traveled the world speaking publicly about changing the landscape for women in film.

Terrified of public speaking. 

I met Justice Sotomayor after directing a short doc for iCivics - a nonprofit that provides civic education to children across America. 

Served on the New York Advisory Board for iCivics.

I’m obsessed with Monty Don and British Gardening shows. 

Directing an episode of Doctor Who is on my bucket list.

The TikTok mini series I created for Xiaomi Global (MY SUPER WORLD) was viewed over a million times.

I don’t use TikTok. *GASP*

WE’VE FORGOTTEN MORE THAN WE EVER KNEW, winner Best Feature Film Rome International Film Festival.

Things critics* have said.

(*who liked something I made)

"Far ahead of most acclaimed movies in theaters now.” – Richard Brody, THE NEW YORKER

"Scene by scene, NANCY is riveting.” – David Edelstein, VULTURE

"Subtle and effective in nearly every aspect of the film." – Dana Schwartz, ENTERTAINMENT WEEKLY

"Hits every emotional beat. Beyond impressive.” – David Fear, ROLLING STONE 

"A twisted and wholly satisfying psychological thriller." – Kate Erbland, IndieWIRE  

“Smith-Cameron exudes a tremulous maternal warmth that feels achingly real, and Buscemi has rarely, if ever, been more touching.” – Jon Frosch, THE HOLLYWOOD REPORTER

Want to make something together?

Catalogue of Select Credits*

*Full list of credits available upon request.